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Malpertuis

Sometimes we encounter Malpertuis. This Malpertuis can be part of our lives in one way or another, whether as a topic of interest, a relevant person in our life, a historical event or simply something that causes us curiosity. In this article, we will further explore Malpertuis and what it represents in different contexts. From its impact on society to its relevance in our personal lives, we will delve into the world of Malpertuis to better understand its meaning and influence on the world around us.

For the castle in the Reynard cycle, see Maleperduis.
For the film, see Malpertuis (film).
First edition
(publ. Les Auteurs Associés)
Cover artist:J. Lempereur

Malpertuis (1943) is a gothic horror novel by the Belgian author Jean Ray (1887–1964).

Premise

Malpertuis is a crumbling, ancient house where a dying warlock has trapped the aging gods of Olympus inside the "skins" of ordinary Flemish citizens.

Structure

The novel is divided into four narratives:

  1. The modern-day narrator (who remains unnamed) explains in a prologue that he stole the manuscripts that comprise the rest of the novel from the Convent of the White Penitents. In the epilogue, he locates Malpertuis, sees Eisengott and Old Mother Groulle in a tavern, enters the house, has a brief encounter with Euryale then flees.
  2. Doucedame the Elder's story of the capture of the Olympians; it has presumably been assembled by Doucedame the Younger.
  3. The diary of Jean-Jacques Grandsire (also broken into two parts) that ends when he and Bets leave Malpertuis.
  4. Father Euchere (aka Dom Misseron) of the Convent of the White Penitents, and reveals the final fates of both Jean-Jacques Grandsire and Doucedame the Younger.

Film adaptation

Main article: Malpertuis (film)

During 1971 the Belgian director Harry Kümel made a film adaptation of the novel, starring Orson Welles, Susan Hampshire and Mathieu Carrière.

In popular culture

Malpertuis is quoted in Ross J. Anderson's paper "Do you believe in Tinker Bell? The social externalities of trust", quoting (translated): "Men are not born of the whim or will of the gods, on the contrary, gods owe their existence to the belief of men. Should this belief wither, the gods will die."

A copy of the novel is prominently displayed on the coffee table of Haydée (Haydée Politoff) in Eric Rohmer's 1967 film La Collectionneuse.

References

  1. ^ Hadji, Robert (1986). "Jean Ray". In Sullivan, Jack (ed.). The Penguin Encyclopedia of Horror and the Supernatural. New York City: Penguin. p. 350. ISBN 978-0670809028.
  2. ^ Baqer, Khaled; Anderson, Ross (2015). "Do You Believe in Tinker Bell? The Social Externalities of Trust". Security Protocols XXIII: 23rd International Workshop (PDF). New York City: Springer. p. 2. ISBN 9783319260969.

External links


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